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Auckland MovieMakers offers plenty
of friendly competition to stimulate those who wish to take up the
challenge.
Throughout the year
club members are encouraged to bring
their videos, finished or still a work in progress, along to Club
night to share with us all.
The Auckland MovieMakers Competition 2008
Definitions and guidelines
A novice is deemed
a member of the Auckland MovieMakers who has not previously
received an award in an Auckland Video Camera Club / Auckland
MovieMakers Annual Awards.
The same video may be entered into one or more categories from
Categories 1 to 5. Videos entered in the General Category (6)
may not be entered into any other category.
(In all categories, videos can not be longer than 20 minutes
however, they can be shorter. Novices must achieve at least
50% and open competitors must achieve at least 60% to be awarded
a certificate.)
1. Documentary
Videos in the documentary category should communicate
information and ideas. The images and audio should be complimentary.
It may be possible to produce an effective documentary without
the spoken word, however competitors are reminded that it is
often the commentary / dialogue / interview that focuses the
attention and / or interprets the images for the audience.
2. Drama
Videos in the Drama Category should show the creative
world of visual narrative. An effective drama should have a
"hook" to capture the audience and a good story line.
The script should supply important characters with a motivation
or a goal to justify their actions. There should be conflicts,
confrontations and obstacles for the protagonists to overcome.
In conclusion, there should be a resolution to the conflict
that may or may not be happy or predictable. (NB Drama does
not necessarily mean, "action packed thriller". It
could be a comedy, a satire or even a monologue. It's up to
you.)
3. Performance
Videos in the Performance Category should focus on the
performers and the performance as in a ballet, jazz band or
gymnastic display, etc. The spectators should only be incidental
to the main event and only be used as cutaways. The video should
focus on the skill, the artistry, the agility, the dexterity
etc of the performers (even if they are only five-year-olds
at the Play centre). This could be a collaborative effort between
several members. One camera videoing the wide angle shot of
the whole performance while the other camera videos the close
up shots of the performers.
4. People and Places
Videos in the "People and Places Category" should
focus on people interacting with one another and with their
surroundings. The camera should capture the emotion of the moment,
such as exhaustion, happiness, disgust etc in the faces of the
people. Organized events such as car rallies, opera in the park,
cultural festivals etc would fit into this category.
5. Holiday and Travel
Videos in the "Holiday and Travel Category"
should capture the essence of the place visited. The viewer
should be able to experience the location by proxy, smell the
smells, hear the sounds and taste the exotic flavours. The video
should be capable of influencing the future holiday plans of
the audience.
6. General Category
This is a "catchall" Category and only videos
that do not easily fit into the other major categories should
be entered in this section. Videos in this category can not
be entered into any other category. Competitors who wish to
enter their videos in this category may find that, with some
"fine tuning", their video can be placed into one
of the major categories (1 to 5).
7. Experimental
Something different!! It could be entirely computer generated,
an animation or a mixed media production. Let your imagination
and technical skill rise to the challenge but remember not to
sacrifice quality for innovation.
The following awards are also made:
The
Innes Sound Trophy
This is awarded to the video with the best audio and may come
from any video entered in the competition. The judges
will consider such things as sound quality, sound balance, continuity
and look at the contribution the sound makes to the effectiveness
of the video. All these factors will be judged in context. The
judges will take into consideration any creative effects intended
by the video maker.
The Best Overall Video Visuals
This is awarded to the video with the best video visuals. The
judges will consider such elements as focus, framing, composition,
steadiness of the camera and the quality of the visuals in relation
to the conditions at the time of filming. All these factors
will be judged in context and the judges will take into consideration
any creative effects intended by the video maker.
The Best Story / Script
This is awarded to the video with the best Story / Script and
may come from any video entered in the competition. The
judges will be looking for a script
that makes the most effective contribution to the success of
a particular video.
The Ron Bannister Trophy
This is awarded to
the best production by a group of club members. It may come
from any video entered in the competition provided there are
at least three current financial members involved in the areas
of Producer/ Director, camera, editing, sound and lighting.
Group member’s names must be included in the end credits.
The
Best Overall Video (Nicholas Memorial Cup)
The best video as assessed by the external judges (see notes
of judging process)
ADDITIONAL
AWARDS
The judges may also
award certificates to recognise excellence in the fields of
computer graphics, special effects or titles.
The President's Award
The President decides the recipient of this award. The award
is made in recognition of effort or contribution to the club
during the year in any endeavour or may be awarded to a particular
member for a video produced and shown on a club night. This
award is left entirely to the discretion of the President.
Judging
All videos will be assessed and scored by an AMM "in house"
judging panel and those entries that achieve certificate level
will be forwarded to external judges for independent assessment.
The external judges will assess them with reference to these
guidelines but without reference to the AMM score sheets. The
external judges will allocate the final awards.
Although the Judges do not claim to be infallible, the responsibility
for making the decisions has been given to them and therefore
their decisions are final.
IMPORTANT conditions of entry
Copyright
clearance of all visuals and sound recorded is the absolute
responsibility of the entrant and the signatory on the entry
form.
Films
with the following content will not be accepted: Pornographic,
exceedingly vulgar, exceedingly offensive/obscene and/or third
party copyrighted material.
Auckland
MovieMakers Inc will have final and binding decision as to what
is deemed ‘acceptable content’
1.
Entries must be no longer than 20 minutes, including
titles and credits. They may be shorter than fifteen minutes.
2
The competition is open to all Club members with paid
up membership.
3.
All the work must be that of the entrant / group.
4.
One entry per DVD
submitted.
5. A
separate DVD is required for each category entered.
6.
Each DVD case or
container must be marked with the producer's name, address,
title of the video, running time and the category into which
it is to be entered.
7.
Each entry must be accompanied by an entry form. (original
or photocopy}.
8.
Consistent with the clubs objectives, only videos made
for no commercial reward are eligible for entry.
9
In
order to facilitate the compilation, judging and presentation
while retaining the original fidelity as much as possible, the
conveners
require entries in the following format :
10.1 Submission on
4.7GB DVD+-R media.
10.2 Presentation
aspect as PAL normal (4:3) or PAL wide screen (16:9).
10.3 Entry copied onto
the DVD media as either :
10.3.1
A Microsoft PAL DV AVI 720x576 25fps 48KHz 16bit, stereo, PCM
uncompressed file; or
10.3.2
A Quick time PAL DV MOV 720x576 25fps 48KHz 16bit, stereo, PCM
uncompressed file.
The closing date for the 2008
AMM competition is
31st
August 2008.
ENTRY
FORM
AUCKLAND MOVIE MAKERS ANNUAL AWARDS
Name
of entrant (s)_____________________________
Postal
Address _______________________________
_____________________________________________
Phone
No _______________Email____________________
Status
(please circle)
Novice
or Open
Sound
Track Format (please
circle) Mono
or
Stereo
CATEGORY (please
circle) 1. Documentary
2. Drama
3.
Performance 4. People
and Places 5.
Holiday/Travel
Title
of Video__________________________________
Running
Time_________________________________
Brief
description of entry
for publication and presentation
_____________________________________________
_____________________________________________
_____________________________________________
I
have read the conditions of entry and accept them as specified:
Signed______________________________Date____
Entries
shall comply with the following specification :
1. Entry must be copied (burnt) to DVD media as
files (not movies) either :
Microsoft PAL DV AVI 720x576 25fps
48KHz 16bit, stereo, PCM uncompressed file; or
Quicktime PAL DV MOV 720x576 25fps
48KHz 16bit, stereo, PCM uncompressed file.
.
2. Submission on 4.7GB DVD+-R media.
3. Aspect ratio PAL normal (4:3) or PAL wide
screen (16:9).
4. DVD case or container must be marked with
the producer's name, address, title of the video, running time
and accompanied by this entry form (completed).
Please note it is basic to our competition system
that all entries are received as uncompressed files to avoid
them losing quality when amalgamated on a single DVD for judging
and presentation on Awards Night.
A
sheet similar to this is supplied to each judge. Each element
can score a maximum of 20 points
|
Elements |
Comments
of Judges |
Score |
|
Video Visuals-
Camera
Steadiness,
Exposure
Lighting
Composition
Variations
in shot size, angles, depths of field. |
|
|
|
Audio
Voice
over (effectiveness /clarity)
Dialogue
Music
FX
Balance
Quality,
|
|
|
|
Editing
Technique
Effectiveness
Continuity
Pace
Transitions |
|
|
|
Story /
Script
Originality
Approach
to subject
BME
(beginning, middle, end)
Pace |
|
|
|
Overall
effectiveness
Does
the video work?
Does
it entertain, inform, evoke an audience response. |
|
|
Judging Notes-
The subheadings listed above are for the guidance of exhibitors.
The judges however will judge each category as a whole looking
especially at the overall effectiveness and impact of the video.
Inclusion of an item does not infer that it should be included.
E.g. a scene change may be a "straight
cut"
with no "fancy"
transition, The subheadings will be assessed in the context
of the production e.g. a shot out of focus may be a deliberate
artistic effect and as such, will be judged accordingly.
The judge's
decision is final and is not subject to discussion or appeal. |